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Archive for the ‘Women’s Spirituality’ Category

from Ultra Culture: UK censorship of a esoteric sites

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[youtube http://youtu.be/sniM8XIqWIg]

Cummer, go ye before, cummer go ye
If ye willna go before, cummer, let me
Ring-a-ring-a-widdershins
Linkin lithely widdershins
Cummer, carlin, crone and queen
Roun go we

Cummer, go ye before, cummer, go ye
If ye willna go before, cummer, let me
Ring-a-ring-a-widdershins
Loupin lightly widdershins
Kilted coats and fleein hair
Three times three

Cummer go ye before, cummer, go ye
If ye willna go before, cummer, let me
Ring-a-ring-a-widdershins
Whirlin skirlin widdershins
De’il tak the hindmost
Wha e’er she be

WITCHDANCE_SM

Translation using the Dictionary of the Scottish Language:

Witch go you fast, witch go you
If you will not go fast, witch let me
Circling a circle widdershins (counter-clockwise)
Linking hands quickly and merrily widdershins,
Wives, crones, mothers and young lasses

Round go we!

Witch go you fast, witch go you
If you will not go fast, witch let me
Circling a circle widdershins
Looping (or weaving) easily and swiftly
Tucked up skirts and flying hair
Three times three!

Witch go you fast, witch go you
If you will not go fast, witch let me
Circling a circle widdershins
Whirling (rotating) screaming louder, widdershins
Devil take the last one (furthest behind)
Whoever she be!

[Background: excerpt from  Sangstories – Stories of Scottish Songs]

Words:
Carlin: old woman, witch
Cummer: woman friend, witch
Deil: devil
Fleein: flying
Hindmost: last, furthest behind
Kilted: tucked up
Loupin: jumping, leaping
Queen: quean or quine, girl, woman
Skirlin: screeching
Widdershins: anti-clockwise; opposite to the sun’s movement; against nature,  so used by witches

Christine Kydd brought this song to Sangschule. She recorded it along with Corrina Hewat and Elspeth Cowie as Chantan on their CD Primary Colours. Their notes say: “A song from 1591 and the witch trials of King James 6th of Scotland. A time when any woman could be accused of being a witch on a whim. The words come from the transcripts of one of the trials in connection with a plot, by Francis Hepburn, Earl of Bothwell, and others to kill the king. It is the first written record of a reel in Scotland.”

Witches were supposed to meet and dance in a circle going “widdershins”, against the sun, as part of reversing what was natural or holy.  They were naked or immodestly dressed  – Burns’ “cutty sark” is like the “kilted coats” – revealing a lot of leg. “Three times three” was a magic number. And the devil would sometimes join the dance, though here the old saying “Deil tak the hindmost” suggests fear of this event rather than a welcome for the master.

A ‘thread’ of entries on www.mudcat.org attempts to pin down more of the sources and Jack Campin’s entries say that the first two lines do appear in the transcript of the witch trials, but “ the rest was obviously made up in the 20th century”.

James 6th himself was present at the North Berwick witch trials where the accusations against his cousin, Bothwell and the “other witches” were dealt with, and he took part in interrogations. Two of the accused women were Geillis Duncan and Agnes Sampson. They did not survive, but Bothwell escaped.  Excerpts from trial papers are available on…

http://homepages.tesco.net/~eandcthomps/Chronology1.htm

…a website belonging to Dr E H Thompson of the University of Dundee e.g.:

Agnes Sampson “admitted healing the sick by natural remedies and prayer, helping people who had been bewitched and having dealings with the devil in the form of a dog.”

She confessed to the King that she had been moved to serve the devil by poverty after the death of her husband and had received the devil’s mark. (This mark hidden on the body was said to be impervious to pain, and led to ‘witches’ being pierced all over with a pin by accusers trying to find it.)

Reading between the lines from our present-day standpoint, it is easy to see how superstitious fears led to ordeal and death for many poor and helpless women, but James 6th pursued the prosecution of witches with determination and wrote his own book on the subject, Demonologie, published in 1597.

 [The Music]
 X: 1
T: The Witches
R: reel

M: 4/4
L: 1/8
K: Edor
EBBG FDDF|EBBF GABc|d2 AG FEDF|EBAF GE E2:|
gfeg Bgeg|fdad bdaf|gfeg Bgeg|fdaf fee2|
gfeg Bgeg|fdad bdaf|gaeg deBd|ABFA BEE2||
The Witches (reel) on The Session

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Joan Marler, literary executrices of Marija Gimbutas, and founder of the Journal of Archaeomythology, has now made this journal open access.

One has to register, but from that point you can access very important scholarly articles continuing the work of Gimbutas online for free.

http://www.archaeomythology.org/publications/the-journal-of-archaeomythology/

This is a very generous gesture since Gimbutas’ work has been instrumental in the reclaiming of female approaches to divinity across the world.

Spread the word!

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Temple Spinner

Consecration of a Priestess of Bacchus by Sir Laurence Alma-Tadema

Consecration of a Priestess of Bacchus by Sir Laurence Alma-Tadema

I am dreaming back my sisters
Whisper-worn footfalls on the Temple steps
Skywalkers
Storm dwellers
Heavy-breasted cauldron keepers
Songweavers
Snake sisters
Darkmoon dancers

Labyrinth builders
Star bridgers
Fiery-eyed dragon-ryders
Wind seekers
Shape shifters
Corn daughters

Wolf women
Earth stewards
Gentle-handed womb sounders
Dream spinners
Flame keepers
Moon birthers

Come home sisters, come home

~ Marie-Elena Gaspar

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Divine Women: Handmaids of the Gods : BBC Documentary

Historian Bettany Hughes continues her journey into the hidden and controversial history of women’s place in religion as she uncovers the lost era of the priestess. She delves into the ancient Greek worship of the goddess of sex, Aphrodite, and finds out what this practice meant for women. She also heads to ancient Rome, where the fate of the civilisation lay in the hands of six sacred virgins. Returning to the crucial early years of Christianity, she finds evidence that overturns centuries of Church teaching and challenges the belief that women should not be priests.

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Sometimes I imagine what I would say if one of my children explicitly asked me for training, or intentionally sought it for themselves. They were all exposed to The Craft, as well as general pagan perspectives (and I will continue using the general term ‘pagan’ on this blog because I feel it provides a touchstone we can come together on politically and academically). They also engage in witchy activities and hold very pagan beliefs, though they may be in various stages of consciousness on that front.

I think about the heartfelt advice given by one of my early initiators, Juniper. We shared a similar Christian upbringing, and we both had children. Through tears she bravely confessed that if she could go back, knowing what changes and pain lay ahead, she wasn’t sure she would choose this crooked path again. You see, once you put your foot to the path, there is no way but forward – whether to madness or transformation.

Most of my friends who are witches say they always knew they were. That there was never a moment of decision, only one of recognition. It may be that they were outsiders, or just felt themselves different, somehow. This is a critical point to ponder.

If you feel ostracized; if you feel outside the group: take notice whether these feelings make you uncomfortable. If there is a part of your mind seeking validation or the experience of fitting-in – you may want to reconsider this path. Certainly there will be a feeling of kinship, and a relief in having found your own kind, but consider: The Witch lives on the outside of society. Hir path is alone, in a forest darkly. There is no band of brothers who march off to fame and glory together, nor is there cultural acceptance or wide-spread recognition. There may be camaraderie, and you may finally understand your inherent difference, but think long and hard before committing yourself to further differentiation. To be Marked…is for life.

But, if one of my children did ask….even after I ignored them, or tried to put them off (you see, it is a dark path…and I can’t say I would wish it on anyone), the first task I would give them would be to GO OUTSIDE.

Not to glory in airy fairies, or rainbow ponies. I would require they spend a year learning the land: what her seasons are; what her geological history is; what other-than-human persons share the land with them; what the history of her communities are; what weather patterns are dominant; where is the sun in the sky on the longest day; what celestial observations when the season changes; what ARE those seasons there, on that land; what orientation is associated with significant phenomena, whether seasonal, atmospheric, or historical.

I would NOT ask them to leave their locale. This work does not require leaving the city and finding some idyllic country location. The Witch knows the environment he resides in, not one of hir imagining. The Great Powers are everywhere, and everywhere, are different. Know them.

At least I think these would be my first remarks….if a child of mine saw this path in the forest and reached for the gate.

20120912-152329.jpg

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